A novelistic re-imagining of the life of Dmitri Shostakovich.
Review of Julian Barnes, The Noise of Time.
Financial Times, 15 January 2016.
On January 28 1936, Pravda carried the most chilling music review of the 20th century. “Muddle Instead of Music” was an unsigned editorial but many suspected that Stalin himself had penned it: only a dictator could get away with so many grammatical errors. Two days earlier he had walked out of an opera, Lady Macbeth of Mtsensk, leaving its composer Dmitri Shostakovich white with fear. Until then, the work had been acclaimed worldwide, but now the 29-year-old’s success was turned against him: “Is it not because the opera is non-political and confusing that they praise it? Is it not explained by the fact that it tickles the perverted taste of the bourgeois with its fidgety, neurotic music?” An opportunity for clear, realistic art that could uplift the people had been squandered by this straying into dissonance, cacophony and “formalism”: “It is a game of clever ingenuity that may end very badly.”
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