Show Me the Place
A collection of essays, stories and journeys.
“The troubles came, I saved what I could save. A thread of light, a particle, a wave.”
Apocalyptic futures surround us. In films, books and news feeds, we are subjected to a barrage of end-time possibilities. Award-winning writer Hedley Twidle, in quixotic mood, sets out to snatch utopia from the jaws of dystopia.
Whether embarking on a bizarre quest to find Cecil Rhodes’s missing nose (sliced off the bust of the Rhodes Memorial) or cycling the Scottish islands with a couple of squabbling anarchists; whether learning to surf (much too late) in the wild, freezing waters off the Cape Peninsula or navigating the fraught politics of a Buddhist retreat centre, the author explores forgotten utopias, intentional communities and islands of imagination with curiosity, hope and humour.
Ranging from the science fiction or Ursula Le Guin to the ‘living laboratory’ of Auroville in south India, Show Me the Place investigates the deep human desire to imagine alternatives to what we take as normal or inevitable.
Jonathan Ball Publishers, 2024. Cover design by Gretchen van der Byl.
“A fine combination of memoir, comedy and rueful philosophy.”
“Hedley Twidle is an essayist of rare brilliance. His reach is remarkable. Whatever subject he touches, his writing is always luminous, astute and often darkly funny.”
“I was blown away. His writing reminded me a little of John Jeremiah Sullivan – funny, literary, stylish, and with real intellectual depth – but he’s very much doing his own, distinctly South African thing. One of the bigger recent discoveries for me.”
To Spite His Face. What happened to Cecil Rhodes’s nose? Letter from Cape Town, Harper’s, December 2021 (& Harper’s podcast).
The Sound of Islay. Introducing the Financial Times essay competition. November 2016.
An extract from ‘Monsoon Raag’ about a visit to Auroville in Tamil Nadu, southern India. Sunday Times online. Pagecast interview with Mila de Villiers, April 2024.
A Line of Light and Writing Forgetting (an ongoing archive for the arts of memory and memory loss).
Ambiguous Utopias: The Dispossessed by Ursula K. Le Guin.
Five by Three. The part about the island.
Barbarian Phase. A surfing half-life. Wasafiri, June 2021.
Anarchive: notes towards an anarchist utopia. Offcuts and outtakes.
Memoir, Utopia, and Belonging in the Postcolony. Biography 46:3, 2024. An academic article on Akash Kapur’s memoir of Auroville, Better to Have Gone.
Reviews by Arja Salafranca, Wamuwi Mbao and others.
“Hedley Twidle’s work is exquisitely crafted, clever, self-deprecating, and, above all, deeply thoughtful. We are lucky to have a writer of his calibre working on contemporary South African material.”
“Each of these nine essays is dense with life in ways that make them utterly compelling.”
“One of my favourite essays is A Line of Light, in which Twidle...explores his mother’s descent into dementia...This meditative essay meanders back through his mother’s life, the trajectory of her decline and what it means to lose memory, and a mother...It is an achingly beautiful exploration of the slow loss that a son suffers as his mother slips away. ”
