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We Are All in the Plague https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1586605446335-H8TMBN6GV19AGB1J6ZSU/Peste_1962_2.jpg Archive - We Are All in the Plague https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1586604361248-594DU1VRXU834VPI6MCJ/Untitled.png Archive - We Are All in the Plague https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1586605444578-U22EXKBGEIK16HWAH7QP/9780141185132+%281%29.jpg Archive - We Are All in the Plague https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1584780038881-GV3R2L2VMCI97YO18OOC/photo-martin-munkc3a1csi-summer-camp-near-bad-kissingen-1929.jpg Archive - We Are All in the Plague https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1585917526326-MWNLNPJYCB0K4CY9CESF/image-asset.jpeg Archive - We Are All in the Plague https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1588928482716-T2OZ0A5MC3YLOPQ7LC8Z/Picture3.png Archive - We Are All in the Plague https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1586861425487-HL9PAT203GBU0HPBBUKH/Untitled9.jpg Archive - We Are All in the Plague https://hedleytwidle.com/home/2021/2/2/in-those-uncertain-times monthly 0.5 2021-06-27 https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1612264778990-VZZ4LQ4ES7OVP9JS1XBN/Screenshot%2B2021-02-02%2Bat%2B13.17.58.jpg Archive - Not the Apocalypse We Wanted https://hedleytwidle.com/home/2020/1/6/memory-and-forgetting monthly 0.5 2020-12-09 https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1578306780603-K9U9KJ73KTWFFJYGETXU/Robin-Rhodes-nghe%CC%A3%CC%82-thua%CC%A3%CC%82t-%C4%91u%CC%9Bo%CC%9Bng-%C4%91a%CC%A3i-%C4%91u%CC%9Bo%CC%9B%CC%80ng-pho%CC%82%CC%81-Restless-Mind-elle-vie%CC%A3%CC%82t-nam1.jpg Archive - Memory and Forgetting https://hedleytwidle.com/home/2020/5/27/north-by-south monthly 0.5 2020-12-09 https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1590588113255-X29ZZN647LYM1SUB8YS0/litfest196.jpg Archive - North by South https://hedleytwidle.com/home/2020/3/23/a-strange-luminescence-growing-more-intense-by-the-hour monthly 0.5 2020-12-09 https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1584966832039-XZO6Q0V99T1F6OON68BC/AKOM150001_37.jpg Archive - A Strange Luminescence https://hedleytwidle.com/home/2018/10/28/a-cold-country-where-the-sun-shines monthly 0.5 2020-05-27 https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1580306528334-JDDGZ4WWAETBW61XYHLH/image-asset.jpeg Archive - A Cold Country Where the Sun Shines https://hedleytwidle.com/home/2020/1/15/first-light-false-colour monthly 0.5 2020-12-09 https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1579081469276-GYVN9EN6VONUJUQW70Z7/LBN67-UVIS-mos-1000-502%252B%25281%2529.jpg Archive - First Light, False Colour https://hedleytwidle.com/home/2019/12/14/light-and-time monthly 0.5 2020-12-09 https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1576314283832-EG7PBPQD1B3THPQ1WOIT/79332154_10156405076892016_9204944634290110464_n.jpg Archive - Light and Time https://hedleytwidle.com/home/2019/3/11/experiments-with-truth monthly 0.5 2021-04-29 https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1552287186382-Y0J6OHRF22F5UTI5I4L6/Experiments_paperback+cover Archive - Experiments with Truth https://hedleytwidle.com/home/2019/9/4/a-hip-king monthly 0.5 2020-12-11 https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1607686811215-C4EBDL2VL7PJIS2R74KJ/image.jpg Archive - Eleventh Hour https://hedleytwidle.com/home/the-array monthly 0.5 2022-01-09 https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1531411498259-OMPPYTBKAGZKOMQN090L/1.+MeerKAT+First+Light.png Archive - From the edge of representation - MeerKAT First Light In July 2016, a press release from the Square Kilometre Array announced: ‘MeerKAT joins the ranks of the world’s great scientific instruments through its First Light image’. Operating at a quarter of its eventual capacity, this precursor telescope to the full Array had been pointed at a patch of sky representing 0.01% of the celestial sphere. In just this portion, the instrument had detected 1300 galaxies where only 70 were known before. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1531320886871-70YAKNO3CA3782EGUT52/Hubble-Eagle+Nebula.jpg Archive - From the edge of representation - The Pillars of Creation Hubble Space Telescope image of the Eagle Nebula, M16. ‘For the Hubble images, a reference to a familiar visual iconography, that of nineteenth-century landscape of the American West, threads through efforts to reach a broad audience. The comparison of Hubble images and Romantic landscapes begins with their shared features, similarities in appearance that link two sets of images made more than a century apart. […] As with the comparison of the Eagle Nebula to buttes in the Southwest, the explanation of the scientific content affirms a visual relationship between the spacescape and landscape, inviting the viewer to appreciate NGC 3132 as a picture of an otherworldly yet recognizable place.’ Elizabeth Kessler, Picturing the Cosmos: Hubble Space Telescope Images and the Astronomical Sublime. Minneapolis and London, University of Minnesota Press, 2012. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1527431459634-9W0YBPIICOP1FIWPPUPM/Screen+Shot+2018-05-01+at+10.00.28+AM.png Archive - From the edge of representation - MeerKAT First Light: Radio Galaxy ‘The images I am interested in show us things that we can’t possibly be seeing: things so far away, so faint, so large or soft or bright that they couldn’t possibly be contained in the rectangular frame of a picture – and yet they are. They are pictures of objects that literally don’t exist – that couldn’t exist as they are pictured – but somehow do. They are abstractions of abstractions, feeble symbols for objects that have no reality of their own. They are formless things, blurred until they are unrecognisable. They are images of almost nothing, of single sparks of light, of inexplicable blazing colour, of thin lines and dots that stand for objects that cannot be understood.’ James Elkins, SIx Stories from the End of Representation, 2008. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1533809932329-K1JVQGP0UGF2LWH8HXJL/LBN67-UVIS-mos-1000-502+%281%29.jpg Archive - From the edge of representation - Original HST Image of M16 https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1531429059431-796N7ZTK1LWWEM7IT452/eye-of-god-20.jpg Archive - From the edge of representation - 'Eye of God' HST image of M57, the Ring Nebula in Lyra. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1531428957103-A3PDLWTA0TQ4DA1JAPQP/NASA-HS201427a-HubbleUltraDeepField2014-20140603.jpg Archive - From the edge of representation - The Hubble Ultra Deep Field ‘For many astronomers, these images are among the more fascinating ones returned by the telescope, stretching the instrument to its observational limits. Conceptually, they are images of the frontier: the limits and boundaries of human vision, the limits of the universe, the limits of time. Despite the great depths represented, it is impossible to see these limits in the images; we can know them, but they are not made visible to us. Galaxies speckle the blackness and one gains a sense of the vast number of objects that populate the cosmos, but their distance from us and relative to each other remains visually indeterminate. Additional data, namely the red shift value for each galaxy, are needed to calculate it. Although they represent the vertical frontier, the images resist our efforts to see them as such.’ Elizabeth Kessler, Picturing the Cosmos: Hubble Space Telescope Images and the Astronomical Sublime. Minneapolis and London, University of Minnesota Press, 2012. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1531411458371-X38NFADM9L9WHLC7O8IS/Galileo-Sidereus+Nuncius.jpg Archive - From the edge of representation - Drawings from Galileo's Starry Messenger (1610) ‘Philosophy is written in that great book which ever lies before our eyes — I mean the universe — but we cannot understand it if we do not first learn the language and grasp the symbols, in which it is written. This book is written in the mathematical language, and the symbols are triangles, circles and other geometrical figures, without whose help it is impossible to comprehend a single word of it; without which one wanders in vain through a dark labyrinth.’ Galileo Galilei, The Assayer (1623). https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1531411549135-KVR638U8ODWWTRRSR8E0/3.+Lacaille+1765+Planisphere.jpg Archive - From the edge of representation - De Lacaille’s 1756 Planisphere Lacaille gave modern astronomy the first constellation that takes its name from a terrestrial object: Mons Mensa (Table Mountain), so called because the adjoining Nubecula Major, or Large Magellanic Cloud, might be said to resemble the distinctive white ‘table cloth’ which forms over the mountain’s cliffs when the south-easter blows. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1527432354374-CBLQ6HGC8C2HURA8EZ66/Untitled.png Archive - From the edge of representation - ‘Steenbok’ - Magellan Clouds W. H. Bleek and L. Lloyd, ‘Names of Stars and Stories Connected with Them’, Unpublished manuscript dated February 1873, Special Collections, University of Cape Town, BC 151 E4.2.2. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1533804950248-2T13CK2QHPWIV55QXIJ0/large.jpg Archive - From the edge of representation - John Herschel’s 21 foot Reflector Telescope Feldhausen, Cape Town, 1834. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1527431437886-093W73YWDAHWT7WZX9T8/Herschel+Orion+Nebula.jpg Archive - From the edge of representation - The Great Nebula in Orion Pencil sketch by John Herschel in preparation for Cape Results, 1847. ‘The distinction between nebulae and clusters of stars, must depend on two very different considerations, viz., 1st, on the power of the instrument to distinguish the very minute individuals of which a resolvable cluster, or one entirely composed of stars, may consist, and 2ndly on the idea we attach to the word ‘nebulous’, that is to say, on the distinction which we conceive to exist between objects physically nebulous, and objects only optically so. As respects the idea conveyed by the word nebula, it seems not easy to draw any distinct and serviceable line of demarcation between objects optically and physically (i.e. apparently and really) nebulous.’ https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1533811525881-70464ABON011M4L4ILG7/Screen+Shot+2018-08-09+at+12.43.47+PM.png Archive - From the edge of representation - McClean Telescope (1897) South African Astronomical Observatory (SAA0), Cape Town. ‘One photograph could take an hour or more and so a guide telescope of 20 cm diameter (8 ins) was also provided. The observer had to keep adjusting the telescope using the guider. The dome was made by Thomas Cooke & Sons of York. The architect of the building was Herbert Baker. The rising floor is hydraulically operated by the original pump.’ http://www.saao.ac.za https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1531320884039-CY6M5IAL3LOHALG9HNSS/Hemelliggaam+-+Maclear+Telescope+SAAO.jpg Archive - From the edge of representation Sivuyile Manxoyi, outreach manager at SAAO, Observatory, Cape Town. McClean Telescope. Photograph from Hemelliggaam or The Attempt to Be Here Now, a project by Tommaso Fiscaletti and Nic Grobler. https://www.hemelliggaam.com/ https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1531320878832-48AR3UIWVKH3GOAJYKKX/9.+Great+Comet+of+1882-David+Gill.jpg Archive - From the edge of representation - Photograph of Great Comet David Gill, Royal Observatory in Cape Town, 1882. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1531411467595-2RT3ALJCKDWCNRF5ZO9N/11.+Eta+Carina.jpg Archive - From the edge of representation - Eta Carina Nebula Glass plate photograph, Royal Observatory, Cape Town, 1892. ‘The photograph is literally an emanation of the referent. From a real body, which was there, proceed radiations which ultimately touch me, who am here; the duration of the transmission is insignificant; the photograph of the missing being, as Sontag says, will touch me like the delayed rays of a star.’ Roland Barthes, Camera Lucida, trans. Richard Howard, 1984. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1528099890329-8L7RWK2HD8JNUWIWZ2IF/hart_85ft_photography.jpg Archive - From the edge of representation - Deep Space Station 51 ‘What is now the Hartebeesthoek Radio Astronomy Observatory (HartRAO) was originally built in 1961 by NASA, the National Aeronautics and Space Administration of the USA, as a tracking station for its probes that were being sent to explore space beyond Earth orbit. It was also known as the Deep Space Instrumentation Facility (DSIF). The facility was actually operated by the South African Council for Scientific and Industrial Research (CSIR) on behalf of NASA, until its closure in 1974. It became a radio astronomy observatory, operating under first the CSIR, then the Foundation for Research Development (FRD), which became the National Research Foundation (NRF) in 1999.’ http://www.hartrao.ac.za/ https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1527431362949-SKS1V3IL5PMI2FJGIJQ3/11666229_10152872824252016_5191175081153635342_n.jpg Archive - From the edge of representation - SALT Southern African Large Telescope, Sutherland. 'With the 1.9m we were looking at the spectra itself. Like looking at a prism, we used refraction gratings where you could shift the light and look at different parts of the color spectrum - from there you can tell from what stars were made of and so forth. Just doing star gazing, especially if you look at Jupiter and Saturn, it blows your mind away. If you look at Jupiter it looks like a solar system on its own. The big mother planet with a few small moons around it, and from time to time you see one of the moons disappear. Then you look at Saturn with the nice rings around it, it looks like a sombrero - that is just unbelievable. My first three years I was working with other people, as I was undergoing training. From there on most of the time I was on my own. Sometimes for 14 hours in winter, just with a CD player, my night lunch and my coffee. Then it is up to you to make all the decisions. You just got to make sure you stay awake and alert. Otherwise you can screw up big time. I did fall asleep, but the thing is, if you feel you are tired it is best to close the dome, switch everything off and sit and sleep. If you leave things on and you fall asleep then you are in trouble.’ Francois van Wyk, Night Assistant and service observer, South African Astronomical Observatory, Sutherland. https://www.hemelliggaam.com/feature/ https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1527431266916-T2GND7772BIBGR8T2ANH/11707634_10152872824262016_1455492537895922264_n.jpg Archive - From the edge of representation - Africa's Giant Eye Inside SALT. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1527431451653-O62CHLYK7RU5SJYUR5YW/Screen+Shot+2018-05-01+at+10.00.13+AM.png Archive - From the edge of representation - MeerKAT 'false colour' image of M83, Southern Pinwhweel Galaxy ‘The Square Kilometre Array concept arose from the desire to answer a simple question: How can we fill in the gaps in our understanding of the Universe by reading its history as written in the language of its most abundant constituent, Hydrogen?’ SKA Prospectus (2016) https://www.skatelescope.org/ska-prospectus/ https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1527431361716-SQ4RK7YG7A4UB0U1VE8A/11667393_10152872824227016_3038687171247113993_n.jpg Archive - From the edge of representation - SKA core site Sociable weaver nests and fibre optic cabling. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1531320876563-BT77JWUEP3NLO6C3ZWPE/2.+MeerKAT+First+Light+images.png Archive - From the edge of representation - MeerKAT images Fanaroff-Riley clusters. B. L. Fanaroff J. M. Riley, ‘The Morphology of Extragalactic Radio Sources of High and Low Luminosity’, Monthly Notices of the Royal Astronomical Society, Volume 167, Issue 1, 1 April 1974, Pages 31P–36P, https://doi.org/10.1093/mnras/167.1.31P https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1527431359385-YFTZ32CE1162GA5MTR9R/11265305_10152872823537016_1774742208500925461_n.jpg Archive - From the edge of representation https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1533813254683-FVO1TTNGU8VZ259N6BUQ/opening1961.jpg Archive - From the edge of representation - Opening of DSIF 51 (1961) ‘In the 1960s, the inner planets out to Mars all had southerly declinations, which meant that if a probe was sent to Mars, it would remain very far south for months at a time. As a result, it was only possible to continuously track spacecraft - and sometimes Mars - by having a station in South Africa rather than Europe.’ Sarah Wild, Searching African Skies (2012). https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1527431357128-7BKPJUGNY6BCFVECPKQX/11227051_10152872821497016_114779455684122216_n.jpg Archive - From the edge of representation - Core site, Losberg ‘Radio astronomy is like trying to hear someone whispering to you in a club, someone whispering the lottery numbers to you in a dub step club’. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1527432539336-QX8E4D4QIEGF465WP2RI/IMG_5024.JPG Archive - From the edge of representation ‘The translucency of the sky is for the archaeologists of space, what the dry climate is for us. It is a door that we know how to go through’. Archaeologist Lautaro Núñez, interviewed in Nostalgia for the Light. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1531320889729-QEGDXYXHO0ZW6HWTNM01/MeerKAT+-+Gaggle.jpg Archive - From the edge of representation - MeerKAT Core site, Losberg, northern Cape. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1531411548034-5IVBASLA1FJJDMGD3O0F/6.+Shared+Sky+-+Origin+of+Death.jpeg Archive - From the edge of representation - The Origin of Death (Shared Sky) And the Moon became angry about it, that the hare spoke thus, while he did not assent to him (the Moon). And he hit with his fist, cleaving the hare's mouth; and while he hit the hare's mouth with his fist, he exclaimed: "This person, his mouth which is here, his mouth shall altogether be like this, even when he is a hare; he shall always bear a scar on his mouth; he shall spring away, he shall do-doubling (?) come back. The dogs shall chase him; they shall, when they have caught him, they shall grasping tear him to pieces, he shall altogether die. "And they who are men, they shall altogether dying go away, when they die. For, he was not willing to agree with me, when I told him about it, that he should not cry for his mother; for, his mother would again live; he said to me, that, his mother would not again living return. Therefore, he shall altogether become a hare. And the people, they shall altogether die. For, he was the one who said that his mother would not again living return. I said to him about it, that they (the people) should also be like me; that which I do; that I, when I am dead, I again living return. He contradicted me, when I had told him about it." Bleek and Lloyd, Specimens of Bushman Folklore (1911). https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1527431265757-B221OYSE3RXIS0KSMRSL/11168541_10152872821817016_8689330314867696398_n.jpg Archive - From the edge of representation - KAT Karoo Array Telescope. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1527432425794-ZF7CTXOASQ6C1QU210XL/IMG_5029.JPG Archive - From the edge of representation https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1527431355663-JKF6ZEE32GMT874UP6QH/11217158_10152872821187016_2476415530740509448_n.jpg Archive - From the edge of representation https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1533839389899-J8B5R34AWWHTGOTHXPD0/180806152620-south-africa-meerkat-telescope-1-780x439.jpg Archive - From the edge of representation https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1531411461888-U45B3T8X3Y8NSV7C6MS4/Hemelliggaam+-+Personal+observatory+Clanwilliam.jpg Archive - From the edge of representation Personal observatory, Clanwilliam, Northern Cape. Photograph from Hemelliggaam or The Attempt to Be Here Now, a project by Tommaso Fiscaletti and Nic Grobler. https://www.hemelliggaam.com/ https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1531411464644-K3JG9QMO2K8T249EWAOG/Hemelliggaam+Figure.jpg Archive - From the edge of representation Sansa, SA National Space Agency # 1, Hermanus, Cape Town. Photograph from Hemelliggaam or The Attempt to Be Here Now, a project by Tommaso Fiscaletti and Nic Grobler. https://www.hemelliggaam.com/ https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1531411668536-T5X684U6OLJWJ4LTQLWP/5187-07.jpg Archive - From the edge of representation Temba Matomela, Educator, Planetarium Outreach Officer, Expert of Indigenous Astronomy. Photograph from Hemelliggaam or The Attempt to Be Here Now, a project by Tommaso Fiscaletti and Nic Grobler. https://www.hemelliggaam.com/ 'Meteorites or shooting stars are regarded in the Xhosa speaking community as a bad luck omen. This is because it is believed that when somebody dies they become an ancestor and the spirit of that dead person is wandering among the stars guarding us from the evil spirits. So if perhaps one dies as a bad person then that person would be a bad spirit or ancestor and up in the celestial sphere the good ancestors would kick out the bad ancestors - so when you see a meteor coming down you are actually seeing one of those bad ancestors being kicked out of the celestial sphere and it falls down. When you see this we say ‘let the bad luck pass us for we are not the only one who saw that’ - meaning that we associate that with bad spirit.' https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1531411673082-LGA6S90B87GOHQJ5D7D8/IMG3.jpg Archive - From the edge of representation - Petroglyph (rock engraving) Engraved dolerite boulder within the Astronomy Reserve, northern Cape. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1531429236245-N21EPYCFAXYESJL589JS/5.+Shared+Sky+-+Girl+Who+Made+Stars.jpeg Archive - From the edge of representation - The Girl of the Early Race, Who Made Stars (Shared Sky) My mother was the one who told me that the girl arose; she put her hands into the wood ashes; she threw up the wood ashes into the sky. She said to the wood ashes: "The wood ashes which are here, they must altogether become the Milky Way. They must white lie along in the sky, that the stars may stand outside of the Milky Way, while the Milky Way is the Milky Way, while it used to be wood ashes." They (the ashes) altogether become the Milky Way. The Milky Way must go round with the stars; while the Milky Way feels that, the Milky Way lies going round; while the stars sail along; therefore, the Milky Way, lying, goes along with the stars. The Milky Way, when the Milky Way stands upon the earth, the Milky Way turns across in front, while the Milky Way means to wait(?), While the Milky Way feels that the Stars are turning back; while the Stars feel that the Sun is the one who has turned back; he is upon his path; the Stars turn back; while they go to fetch the daybreak; that they may lie nicely, while the Milky Way lies nicely. The Stars shall also stand nicely around. Bleek and Lloyd, Specimens of Bushman Folklore (1911). https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1533908239536-HV06S625CY9YMDY8M4IO/SA%252c+KCAAA%2527s%252c+biomes%252c+SA+cities%252c+NC+towns.jpg Archive - From the edge of representation - Karoo Central Astronomy Advantage Area https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1533910128577-W36WDTCCNVA82N45XEVD/180806174438-meerkat-3-780x439.jpg Archive - From the edge of representation - MeerKAT Image of Galactic Centre ‘This image, based on observations made with South Africa’s MeerKAT radio telescope, shows the clearest view yet of the central regions of our galaxy. At the distance of the galactic centre (located within the white area near image centre), this 2 degree by 1 degree panorama corresponds to an area of approximately 1,000 light-years by 500 light-years. The colour scheme chosen here to display the signals represents the brightness of the radio waves recorded by the telescope (ranging from red for faint emission to orange to yellow to white for the brightest areas). This image shows a wealth of never before seen features, as well as a clearer view of previously known supernova remnants, star-forming regions, and radio filaments.’ www.ska.ac.za My mother was the one who told me that the girl arose; she put her hands into the wood ashes; she threw up the wood ashes into the sky. She said to the wood ashes: "The wood ashes which are here, they must altogether become the Milky Way. They must white lie along in the sky, that the stars may stand outside of the Milky Way, while the Milky Way is the Milky Way, while it used to be wood ashes." They (the ashes) altogether become the Milky Way. The Milky Way must go round with the stars; while the Milky Way feels that, the Milky Way lies going round; while the stars sail along; therefore, the Milky Way, lying, goes along with the stars. The Milky Way, when the Milky Way stands upon the earth, the Milky Way turns across in front, while the Milky Way means to wait(?), While the Milky Way feels that the Stars are turning back; while the Stars feel that the Sun is the one who has turned back; he is upon his path; the Stars turn back; while they go to fetch the daybreak; that they may lie nicely, while the Milky Way lies nicely. The Stars shall also stand nicely around. Bleek and Lloyd, Specimens of Bushman Folklore (1911). https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1533908240912-LH26NPO60956BE7HL3N5/menu_nb.jpg Archive - From the edge of representation ‘…the theatre of numberless poetically conceived histories…’ W. H. Bleek and L. Lloyd, ‘Names of Stars and Stories Connected with Them’, Unpublished manuscript dated February 1873, Special Collections, University of Cape Town, BC 151 E4.2.2. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1574247143490-PAOQ84MPAFDXXV4JY3OC/MeerKAT+bubbles+image+2+low-res.png Archive - From the edge of representation - South Africa’s MeerKAT discovers giant radio bubbles at centre of Milky Way 11 September 2019 A radio image of the central portions of the Milky Way galaxy. The plane of the galaxy is marked by a series of bright features, exploded stars and regions where new stars are being born, and runs horizontally through the image. The black hole at the centre of the Milky Way is hidden in the brightest of these extended regions. The radio bubbles discovered by MeerKAT extend vertically above and below the plane of the galaxy. Many magnetised filaments can be seen running parallel to the bubbles. (Adapted from results published in Heywood et al. 2019.). https://www.ska.ac.za/south-africas-meerkat-discovers-giant-radio-bubbles-at-centre-of-milky-way/ My mother was the one who told me that the girl arose; she put her hands into the wood ashes; she threw up the wood ashes into the sky. She said to the wood ashes: "The wood ashes which are here, they must altogether become the Milky Way. They must white lie along in the sky, that the stars may stand outside of the Milky Way, while the Milky Way is the Milky Way, while it used to be wood ashes." They (the ashes) altogether become the Milky Way. The Milky Way must go round with the stars; while the Milky Way feels that, the Milky Way lies going round; while the stars sail along; therefore, the Milky Way, lying, goes along with the stars. The Milky Way, when the Milky Way stands upon the earth, the Milky Way turns across in front, while the Milky Way means to wait(?), While the Milky Way feels that the Stars are turning back; while the Stars feel that the Sun is the one who has turned back; he is upon his path; the Stars turn back; while they go to fetch the daybreak; that they may lie nicely, while the Milky Way lies nicely. The Stars shall also stand nicely around. Bleek and Lloyd, Specimens of Bushman Folklore (1911). https://hedleytwidle.com/home/2017/12/26/monsoon-raag monthly 0.5 2020-12-09 https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1514288920264-O04QDEL6DO5F8G0H6C8T/image-asset.jpeg Archive - Monsoon Raag https://hedleytwidle.com/home/2019/4/10/re-visions-of-tsafendas monthly 0.5 2022-03-10 https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1554970369313-WSTIUJ0MDO6LO20EZ41W/Tsafendas+as+a+boy.jpg Archive - Re: Visions of Tsafendas https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1554970334307-8NAWG2B1BCJE7WGIR6V7/Obscure8+%281%29.jpg Archive - Re: Visions of Tsafendas https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1554970387916-AV7IHVGZ866WA2NF0UQT/Dagger+%281%29.jpg Archive - Re: Visions of Tsafendas https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1554970336085-Z116XIQJPSOZ9GZRKYN6/Obscure4+%281%29.jpg Archive - Re: Visions of Tsafendas https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1554971317114-YQZCG6O966O7UMH5QXTT/DSC00750.jpg Archive - Re: Visions of Tsafendas https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1554970587499-1UPZR2X12VJF9FSN5OTN/Picture1.png Archive - Re: Visions of Tsafendas https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1554970337214-K8ZTS9Q6E39QKWFTJHDC/Obscure1.jpg Archive - Re: Visions of Tsafendas https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1554970367266-6PJVC3HILMLMLATVE02C/DSC00753.JPG Archive - Re: Visions of Tsafendas https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1554970389013-HVJ3LIM4XIN4RXIK2RWP/Obscure2.jpg Archive - Re: Visions of Tsafendas https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1554970387185-HDENG2J71A8PNLIU94IR/DSC00749+%281%29.jpg Archive - Re: Visions of Tsafendas 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https://hedleytwidle.com/home/2019/4/4/a-literary-con monthly 0.5 2021-05-06 https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1554387459528-IQ87W12QDHORI4FPGWTR/dugmore+boetie+familiarity+is+the+kingdom+of+the+lost.jpg Archive - A Literary Con https://hedleytwidle.com/home/2019/1/9/into-darkness monthly 0.5 2019-08-26 https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1547195545738-F44IQYS7Q0P3LSV8JV8Y/image-asset.jpeg Archive - Into Darkness / Darkness Pass https://hedleytwidle.com/home/2018/12/13/a-history-of-adverse-reactions monthly 0.5 2020-12-09 https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1544696269530-POK7S8LFNTF7GJJZ8XKT/Rugger.jpg Archive - A History of Adverse Reactions https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1544696823309-0HNE4MMSRMI1VFPYBT9D/MHS.jpg Archive - A History of Adverse Reactions https://hedleytwidle.com/home/2017/06/09/firepool monthly 0.5 2018-08-10 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https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1504195414129-MGG3WAITINJEH6UK6VEN/Screen+Shot+2017-08-31+at+9.48.07+AM.png Archive - Firepool: Experiences in an Abnormal World https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1504195528453-HL9TWQFPA72LO61GABG2/FullSizeRender+copy.jpg Archive - Firepool: Experiences in an Abnormal World https://hedleytwidle.com/home/2018/8/3/shadow-of-a-drought monthly 0.5 2020-02-05 https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1533292669917-5NA5MO4QCH2FDQI12MIP/pumphouse.jpg Archive - Shadow of a Drought https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1533294720953-NO2STI8L7WHKFNSICB56/ft115.jpg Archive - Shadow of a Drought https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1533294905633-KFFF2BI0058S4469DEEO/dambridge11.jpg Archive - Shadow of a Drought https://hedleytwidle.com/home/2018/4/16/a-very-strange-relationship monthly 0.5 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https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1578130808234-KLJN6E04UYSS7VEYSM0Y/image-asset.png Unpacking My Library https://hedleytwidle.com/memory-and-forgetting daily 0.75 2026-04-02 https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1578124425854-7PXSIB90OQGCIBFN0X6I/image-asset.jpeg Writing Forgetting Artwork by Robin Rhode. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/683e318d-945a-45b0-a77f-0e3f4897c565/IMG_2956.jpg Writing Forgetting - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/bb795809-68d4-4aee-9b08-b6f50397851a/Screenshot+2024-12-17+at+13.00.15.png Writing Forgetting - Make it stand out Whatever it is, the way you tell your story online can make all the difference. 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way you tell your story online can make all the difference. https://hedleytwidle.com/experiments-extras-and-excerpts daily 0.75 2020-03-04 https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1583348959826-ZAM4UXZNHVZMWIKUKBWR/edited.jpg Experiments: Extras and Excerpts https://hedleytwidle.com/anarchive daily 0.75 2024-08-15 https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1641825706824-JJ3IINWD5NFZ0GCG2BHF/ursula-k-le-guin-conversaciones-sobre-la-escritura1_NoticiaAmpliada.jpeg Anarchive Ursula K. Le Guin archive. Atwood, Margaret. ‘The Queen of Quinkdom’, 26 September 2002, New York Review of Books. The Science of Fiction: David Naimon on Ursula K. Le Guin (LARB podcast, 20 July 2018). https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1642675446323-DHDEIWUJIAIIZNAE1G33/263300992_10157995594867016_1311994375018264564_n.jpeg Anarchive https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1642677120586-WME8MOCGUUO02F6S5319/Matrimandir-14.jpeg Anarchive https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1641552037809-3SNG0EVFXXPVZXY3KO96/Screenshot+2022-01-07+at+12.40.10.png Anarchive - VTOPIENSIVM ALPHABETVM ‘The preface to Utopia includes a real correspondence between More and his friend Peter Giles, the town clerk of Antwerp. Giles mentions Vespucci, whose accounts of his travels had been published by the German cartographer Martin Waldseemüller in a volume that included a map christening the newly found continents ‘America’. More added detail to lend his fantasy substance, including the Utopians’ alphabet, a woodcut of their croissant-shaped island resembling maps in contemporary travel books, and an explanation of why the island’s latitude and longitude co-ordinates were unknown.’ Glen Newey, ‘Utopia in Texas’. LRB . Vol. 39 No. 2 · 19 January 2017. ‘Scholars have long debated the inspiration for More's Utopian alphabet, identifying analogues both classical and early modern. The earliest article, by Émile Pons in 1930, traces the connections between Utopian and Greek, while also noting that several of the Utopian letterforms are inversions of each other. J. Duncan M. Derrett argued fifty years ago that More and Giles were inspired by Malayalam script, which they must have encountered in an unidentified travel narrative and, more convincingly, that the fascination with unfamiliar alphabets was evident in the late fifteenth-century travelogue of Bernhard von Breydenbach (ca. 1440–97), which included multiple tables with alphabets encountered on his journey to Jerusalem. Donald F. Lach points out that Malayalam words appeared in the printed accounts of Vasco da Gama's voyages, which predate the first Latin edition of Utopia by over a decade. Stanley Burstein holds instead that More must have based his alphabet on the lost Hellenistic travel romance of Iambulus, as rendered in Diodorus Siculus's first-century Library of History. Christophe Vielle reprises the importance of the Malayalam connection to argue for the influence of Sanskrit on Utopian, and for a possible source either in the early Portuguese accounts of India printed in Antwerp or the many Portuguese travelers to India who passed through the port city in the period.’ Fuchs, Barbara, and Philip S. Palmer. “A Lettered Utopia: Printed Alphabets and the Material Republic of Letters.” Renaissance Quarterly, vol. 73, no. 4, 2020, pp. 1235–1276. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1680092575633-HBOM8B8QKBU1UDBUA4G2/AnarresAndUrras565.jpeg Anarchive https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1643186988130-ODULBKXAC8FC86MCV609/Screenshot+2022-01-26+at+10.48.29.png Anarchive https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1641825940528-NXHLCP8KQHWVD4CT6Z91/Screenshot+2022-01-10+at+16.45.13.png Anarchive https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1642675447335-O06K2U1QU4IV8AJMPDF6/263722683_10157995601092016_4818555095395245236_n.jpeg Anarchive https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1714712117241-WQZ41QISQQL0IVA39QF0/Screenshot%2B2024-05-02%2Bat%2B12.25.21.jpg Anarchive https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1642675455340-YCZKQL07S9M2B4O7RYYE/263277633_10157995599887016_2307802596933767091_n.jpeg Anarchive https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1642675451900-I02IYP9V6ZACL6X4X1P6/264945894_10157995601432016_1485262746375750149_n.jpeg Anarchive https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1642677279411-EYWJT2G8UPT7Q111SHPQ/early_landscape_8.jpeg Anarchive https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1642676760218-AX8JOT5CP3HR25O4C18U/Screenshot+2022-01-20+at+13.05.43.png Anarchive https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1642675454057-1SJJ2ZJRB0PXUV20ZNV9/262513425_10157995593757016_7608899289841702756_n.jpeg Anarchive https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1714636036466-4EDK1PLW4VYC3KE9NZYK/Screenshot+2024-01-09+at+12.04.51.png Anarchive https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/1663422852050-JDEE6ZRXRWZAL10O245G/Screenshot+2022-09-17+at+15.53.58.png Anarchive https://hedleytwidle.com/biophonia daily 0.75 2024-09-09 https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/abda2901-c667-4b37-9104-4c079b39e1fb/20220916_100207.jpeg Sonic Ecologies - 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https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/fb84fef9-4558-462f-bc91-2465b6512c8e/Screenshot+2025-07-04+at+10.13.35.png The Interpreters - Make it stand out From ‘Hard Rock’ (2006) by Mogorosi Motshumi. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/fe7eafe3-456f-4eb9-9daf-7b14ac7cd2bc/Screenshot+2025-06-05+at+12.00.34.png The Interpreters - Make it stand out From ‘Youth Preparedness’ (1994) by Anton Kannemeyer. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/6fe35dfa-f517-48be-a1d0-7464bd43a053/Screenshot+2025-09-02+at+17.18.18.png The Interpreters - Make it stand out Ftom ‘Stowaway Boy’ (2012) by Sean Christie, Alastair Laird and Warren Raysdorf . https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/7cce895d-94b3-4d6c-9241-2736f0f4b5b8/Screenshot+2025-09-02+at+22.25.00.png The Interpreters - Make it stand out From ‘Tale of an Aardvark’ (2004) by Daniël Hugo. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/b43e48ee-e209-4796-8696-95e3e6bd9620/Screenshot+2025-06-05+at+11.58.34.png The Interpreters - Make it stand out Photograph by Billy Monk, The Catacombs, Cape Town. ‘Now You’ve Gone ‘n’ Killed Me’ (1982) by Lin Sampson. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/bffdb018-ad81-4443-bac2-7e313c09b1dd/Screenshot+2025-06-05+at+11.58.42.png The Interpreters - Make it stand out Photograph by Billy Monk, The Catacombs, Cape Town ‘Now You’ve Gone ‘n’ Killed Me’ (1982) by Lin Sampson. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/32766a84-038b-4718-90d4-06e0a9ca91d1/Screenshot+2025-07-03+at+10.05.38.png The Interpreters - Make it stand out Fruit and Veggies photoshoot for Rolling Stone SA by Kevin Goss-Ross. ‘Fresh Fruit for Rotten Vegetables’ (2012) by Roger Young. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/cb235a39-ee32-49d0-af3a-ed7148f775e9/Screenshot+2025-07-03+at+10.05.57.png The Interpreters - Make it stand out Fruit and Veggies photoshoot for Rolling Stone SA by Kevin Goss-Ross. ‘Fresh Fruit for Rotten Vegetables’ (2012) by Roger Young. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/5473dff4-26fa-4af7-832c-852c26b714b3/499679437_10160657781232016_6615226741862758137_n.jpg The Interpreters - Make it stand out Fruit and Veggies photoshoot for Rolling Stone SA by Kevin Goss-Ross. ‘Fresh Fruit for Rotten Vegetables’ (2012) by Roger Young. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/b8a6e4fb-cc01-4139-bf2e-faac43e9bb82/WhatsApp+Image+2025-09-07+at+13.53.41.jpeg The Interpreters - Make it stand out Bongani Kona reads from ‘The Descendants’, Open Book Festival, September 2025. https://images.squarespace-cdn.com/content/v1/593a5af8579fb384512f7010/ddf51f09-4de2-4fa7-8af6-f664e5a0b82f/WhatsApp+Image+2025-09-07+at+13.53.48.jpeg The Interpreters - Make it stand out Antjie Krog, Unsettled Accounts, Open Book Festival, September 2025.